Richard Wagner in 1871 Wilhelm Richard Wagner ( , ; 22 May 1813, Leipzig, Germany – 13 February 1883, Venice, Italy) was a German composer, conductor, theatre director and essayist, primarily known for his operas (or "music dramas", as they were later called). Unlike most other great opera composers, Wagner wrote both the scenario and libretto for his works.

Wagner's compositions, particularly those of his later period, are notable for contrapuntal texture, rich chromaticism, harmonies and orchestration, and elaborate use of leitmotifs: musical themes associated with particular characters, locales or plot elements. Wagner pioneered advances in musical language, such as extreme chromaticism and quickly shifting tonal centres, which greatly influenced the development of European classical music.

He transformed musical thought through his idea of Gesamtkunstwerk ("total artwork"), the synthesis of all the poetic, visual, musical and dramatic arts, epitomized by his monumental four-opera cycle Der Ring des Nibelungen (1876). To try to stage these works as he imagined them, Wagner built his own opera house, the Bayreuth Festspielhaus.

Early life

Richard Wagner was born at no. 3 ('The House of the Red and White Lions'), the Brühl, in Leipzig on 22 May 1813, the ninth child of Carl Friedrich Wagner, who was a clerk in the Leipzig police service. Wagner's father died of typhus six months after Richard's birth, following which Wagner's mother, Johanna Rosine Wagner, began living with the actor and playwright Ludwig Geyer, who had been a friend of Richard's father. In August 1814 Johanna Rosine married Geyer, and moved with her family to his residence in Dresden. For the first 14 years of his life, Wagner was known as Wilhelm Richard Geyer. Wagner may later have suspected that Geyer was in fact his biological father, and furthermore speculated incorrectly that Geyer was Jewish.

Geyer's love of the theatre was shared by his stepson, and Wagner took part in his performances. In his autobiography, Wagner recalled once playing the part of an angel. The boy Wagner was also hugely impressed by the Gothic elements of Weber's Der Freischütz. In late 1820, Wagner was enrolled at Pastor Wetzel's school at Possendorf, near Dresden, where he received some piano instruction from his Latin teacher. He could not manage a proper scale but preferred playing theatre overtures by ear. Geyer died in 1821, when Richard was eight. Consequently, Wagner was sent to the Kreuz Grammar School in Dresden, paid for by Geyer's brother. The young Wagner entertained ambitions as a playwright, his first creative effort (listed as 'WWV 1') being a tragedy, Leubald begun at school in 1826, which was strongly influenced by Shakespeare and Goethe. Wagner was determined to set it to music; he persuaded his family to allow him music lessons.

By 1827, the family had moved back to Leipzig. Wagner's first lessons in composition were taken in 1828–31 with Christian Gottlieb Müller. In January 1828 he first heard Beethoven's 7th Symphony and then, in March, Beethoven's 9th Symphony performed in the Gewandhaus. Beethoven became his inspiration, and Wagner wrote a piano transcription of the 9th Symphony, piano sonatas and orchestral overtures.