It may be considered an extended technique, in that it is executed by using the fingers going in one hand to 'tap' the strings against the fingerboard, thus sounding legato notes, often in tightly synchronized conjunction with the other hand. Hence, tapping usually incorporates pull-offs or hammer-ons as well, whereby the fingers of the left hand play a sequence of notes in synchronization with the tapping hand. For example, a right handed guitarist might hammer down on fret twelve with the index finger of the right hand and, in the motion of removing that finger, pluck the same string already fretted at the eighth fret by the little finger of his/her left hand. This finger would be removed in the same way, pulling off to the fifth fret. Thus the three notes (E, C and A) are played in quick succession at relative ease to the player.

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