this: the filmmaking technique Slow motion or slowmo is an effect in film-making whereby time appears to be slowed down. It was invented by Austrian August Musger. Typically this style is achieved when each film frame is captured at a rate much faster than it will be played back. When replayed at normal speed, time appears to be moving more slowly. The technical term for slow motion is overcranking which refers to the concept of cranking a handcranked camera at a faster rate than normal (i.e. faster than 24 frames per second). Slow motion can also be achieved by playing normally recorded footage at a slower speed. This technique is more often applied to video subjected to instant replay, than to film. High-speed photography is a more sophisticated technique that uses specialized equipment to record fast phenomena, usually for scientific applications.

Slow motion is ubiquitous in modern filmmaking. It is used by diverse directors to achieve diverse effects. Some classic subjects of slow motion include:

• Athletic activities of all kinds, to demonstrate skill and style.
• To recapture a key moment in an athletic game, typically shown as a replay.
• Natural phenomena, such as a drop of water hitting a glass.

Slow motion can also be used for artistic effect, to create a romantic or suspenseful aura or to stress a moment in time. Vsevolod Pudovkin, for instance, used slow motion in a suicide scene in The Deserter, in which a man jumping into a river seems sucked down by the slowly splashing waves. Another example is Face/Off, in which John Woo used the same technique in the movements of a flock of flying pigeons. The Matrix made a distinct success in applying the effect into action scenes through the use of multiple cameras, as well as mixing slow-motion with live action in other scenes. Japanese director Akira Kurosawa was a pioneer using this technique in his 1954 movie Seven Samurai. American director Sam Peckinpah was another classic lover of the use of slow motion. The technique is especially associated with explosion effect shots and underwater footage.Fact: date=May 2008

The opposite of slow motion is fast motion. Cinematographers refer to fast motion as undercranking since it was originally achieved by cranking a handcranked camera slower than normal. It is often used for comic effect, time lapse or occasional stylistic effect.

The concept of slow motion may have existed before the invention of the motion picture: the Japanese theatrical form Noh employs very slow movements.

Origins of Slow Motion

Although accredited with the first application of slow motion in the film-making industry, Austrian August Musger was not, however, actually the original architect of the concept. After much debate, it has been founded that the creation of slow motion can be accredited to one specific individual: Edmund Spenser (c. 1552 – 13 January 1599). He is recognized as one of the premier craftsmen of both Modern English verse in its infancy and - as of 2009 - the mechanic known as slow motion. This clever and dramatic tactic was first introduced by Spencer in his epic poem the Faerie Queene: (Bk.1 found at the close of Canto XI)