The history of theatrical scenery is as old as the theatre itself, and just as obtuse and tradition-bound. What we tend to think of as 'traditional scenery', i.e. two-dimensional canvas-covered 'flats' painted to resemble a three-dimensional surface or vista, is in fact a relatively recent innovation and a significant departure from the more ancient forms of theatrical expression, which tended to rely less on the actual representation of space and more on the conveyance of action and mood. By the Shakespearean era, the occasional painted backdrop or theatrical prop was in evidence, but the show itself was written so as not to rely on such items to convey itself to the audience.

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