Pamela, or Virtue Rewarded is an epistolary novel by Samuel Richardson, first published in 1740. It tells the story of a maid named Pamela whose master, Mr. B, makes unwanted advances towards her. She rejects him continually, and her virtue is eventually rewarded when he shows his sincerity by proposing an equitable marriage to her. In the second part of the novel, Pamela attempts to accommodate herself to upper-class society and to build a successful relationship with him. The story was widely mocked at the time for its perceived licentiousness and it inspired Henry Fielding (among many others) to write two parodies: Shamela (1741), about Pamela's true identity; and Joseph Andrews (1742), about Pamela's brother.

Conduct books and the novel

When Richardson began writing Pamela, he conceived of it as a conduct book. But as he was writing, the series of letters turned into a story. Richardson then decided to write in a different genre, the novel, which at the time was a new form. He attempted to instruct through entertainment. In fact, most novels from the middle of the eighteenth century and well into the nineteenth century, following Richardson's lead, claimed legitimacy through their ability to teach as well as to amuse.

Epistolary

Epistolary novels, that is, novels written as series of letters, were extremely popular during the eighteenth century and it was Richardson's Pamela that made them so. Richardson and other novelists of his time argued that the letter allowed the reader greater access to a character's thoughts - Richardson claimed that he was writing "to the moment", that is, that Pamela's thoughts were recorded nearly simultaneously with her actions.

In the novel, Pamela writes two kinds of letters. At the beginning of the novel, while she is deciding how long to stay on at Mr. B's after the death of his mother, she writes letters to her parents relating her various moral dilemmas and asking for their advice. After Mr. B abducts her and imprisons her in his countryhouse, she continues to write letters to her parents, but because she is unsure whether or not her parents will ever receive them, they are to be considered both letters and a diary.

In Pamela, the reader receives only the thoughts and letters of Pamela, restricting the reader's access to the other characters; we see only Pamela's perception of them. In Richardson's other novels, Clarissa (1748) and The History of Sir Charles Grandison (1753), the reader is privy to the letters of several characters and can thus more effectively evaluate the motivations and moral values of the characters.

Volume 1

But Mr. B intercepts her letters to her parents and tells them she is having an affair with a poor clergyman and that he will send her to a safe place to preserve her honour. Therefore, Pamela is driven to Lincolnshire Estate and begins a journal (because she is a prisoner and can't write letters anymore) hoping it will be sent to her parents one day. The housekeeper there, Mrs. Jewkes, is very different from Mrs. Jervis: she is an "odious," rude, "unwomanly" woman (perhaps even "an atheist!" speculates Pamela) and devoted to Mr. B. She imposes Pamela to be her bedfellow. Mr. B promises her that he won't approach her without her leave (indeed he's away from Lincolnshire for a long time).