A novella is a written, fictional, prose narrative longer than a novelette but shorter than a novel. While there is disagreement as to what length defines a novella, the Science Fiction and Fantasy Writers of America Nebula Awards for science fiction define the novella as having a word count between 17,500 and 40,000.
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A novella is a written, fictional, prose narrative longer than a novelette but shorter than a novel. While there is disagreement as to what length defines a novella, the Science Fiction and Fantasy Writers of America Nebula Awards for science fiction define the novella as having a word count between 17,500 and 40,000.
Although the novella is a common literary genre in several European languages, it is less common in English. English-speaking readers may be most familiar with the novellas of John Steinbeck, particularly Of Mice and Men and The Pearl, Herman Melville's Billy Budd, Franz Kafka's The Metamorphosis and In the Penal Colony, George Orwell's Animal Farm, Truman Capote's Breakfast at Tiffany's, Ernest Hemingway's The Old Man and the Sea, Robert Louis Stevenson's Dr Jekyll and Mr Hyde, Thomas Mann's Death in Venice, Philip Roth's Goodbye, Columbus and Joseph Conrad's Heart of Darkness. Jack Kerouac has written many novellas such as Pic, Tristessa, The Subterraneans, and Satori in Paris. Most of the best-known works of H. P. Lovecraft are novellas, including The Shadow out of Time, The Dunwich Horror and The Shadow Over Innsmouth.
Like the English word "novel", the English word "novella" is derived from the Italian word "novella" (plural: "novelle"), for a tale, a piece of news. As the etymology suggests, novellas originally were news of town and country life worth repeating for amusement and edification.
History
The idea of serialized novellas dates back to the One Thousand and One Nights, also known as the Arabian Nights, from around the 10th century. The novella as a literary genre later began developing in the early Renaissance literary work of the Italians and the French. Principally, by Giovanni Boccaccio (1313–1375), author of The Decameron (1353)—one hundred novelle told by ten people, seven women and three men, fleeing the Black Death by escaping from Florence to the Fiesole hills, in 1348; and by the French Queen, Marguerite de Navarre (1492–1549), Marguerite de Valois, et. alii., author of Heptaméron (1559)—seventy-two original French tales (structured like The Decameron).
Not until the late eighteenth- and early nineteenth centuries did writers fashion the novella into a literary genre structured by precepts and rules. Contemporaneously, the Germans were the most active writers of the Novelle (German: "Novelle"; plural: "Novellen"). For the German writer, a novella is a fictional narrative of indeterminate length—a few pages to hundreds—restricted to a single, suspenseful event, situation, or conflict leading to an unexpected turning point (Wendepunkt), provoking a logical, but surprising end; Novellen tend to contain a concrete symbol, which is the narration's steady point.
