The term millefiori is a combination of the Italian words "mille" (thousand) and "fiori" (flowers) . A. Pellatt (in his book "Curiosities of Glass Making") was the first to use the term "millefiori", which appeared in the Oxford Dictionary in 1849. The beads were called mosaic beads before that time. While the use of this technique long precedes the term millefiori, it is now frequently associated with Venetian glassware.
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The term millefiori is a combination of the Italian words "mille" (thousand) and "fiori" (flowers) . A. Pellatt (in his book "Curiosities of Glass Making") was the first to use the term "millefiori", which appeared in the Oxford Dictionary in 1849. The beads were called mosaic beads before that time. While the use of this technique long precedes the term millefiori, it is now frequently associated with Venetian glassware.
More recently, the millefiori technique has been applied to polymer clays and other materials. Because polymer clay is quite pliable and does not need to be heated and reheated in order to fuse it, it is much easier to produce millefiori patterns than with glass .
History of Millefiori
The manufacture of mosaic beads can be traced back to Ancient Rome, Phoenician and Alexandrian times. Canes, probably made in Italy, have been found as far away as 8th century archaeological sites in Ireland, and millefiori was used in thin slices to brilliant effect in the early 7th century Anglo-Saxon jewellery from Sutton Hoo.
The technical knowledge for creating millefiori was lost by the eighteenth century, and the technique was not revived until the nineteenth century. Within several years of the technique's rediscovery, factories in Italy, France and England were manufacturing millefiori canes.
Until the 15th century, Murano glassmakers were only producing drawn Rosetta beads made from mould-made Rosetta canes. Rosetta beads are made by the layering of a variable number of layers of glass of various colors in a mould, and by pulling the soft glass from both ends until the cane has reached the desired thickness. It is then cut into short segments for further processing.
Creating Millefiori
The millefiori technique involves the production of glass canes or rods, known as murrine, with multicolored patterns which are viewable only from the cut ends of the cane. A murrine rod is heated in a furnace, pulled until thin while still maintaining the cross section's design, and then cut into beads or discs when cooled.
See also
- Mille-fleur, a French term used to refer to a background composed of small flowers.
- Glass museums and galleries
