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Massive Attack are an English trip hop group, founded in 1988 by Robert Del Naja, Grantley Marshall, and Andrew Vowles in Bristol, England. The trio were together prior to the formation of this band, known as The Wild Bunch. With the release of their debut album Blue Lines in 1991, Massive Attack were critically acclaimed for their fusion of jazz, hip hop, rock, and soul elements into a new genre, trip hop. With the release of later albums such as Protection in 1994 and Mezzanine in 1998, the band integrated forms of electronic music into their sound. Their music was part of the larger Bristol underground scene. During their tenure, the group has teamed up with the likes of Madonna, Mos Def, Sinéad O'Connor, Horace Andy, among many others.
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Massive Attack are an English trip hop group, founded in 1988 by Robert Del Naja, Grantley Marshall, and Andrew Vowles in Bristol, England. The trio were together prior to the formation of this band, known as The Wild Bunch. With the release of their debut album Blue Lines in 1991, Massive Attack were critically acclaimed for their fusion of jazz, hip hop, rock, and soul elements into a new genre, trip hop. With the release of later albums such as Protection in 1994 and Mezzanine in 1998, the band integrated forms of electronic music into their sound. Their music was part of the larger Bristol underground scene. During their tenure, the group has teamed up with the likes of Madonna, Mos Def, Sinéad O'Connor, Horace Andy, among many others.
1980s
Massive Attack began as an offshoot of the popular mid-1980s sound system The Wild Bunch. The core group consisted of three members, Robert Del Naja ("3D"), Grant Marshall ("Daddy G") and Andrew Vowles ("Mushroom"), along with occasional Wild Bunch collaborator (and also Del Naja's roommate) Tricky. In 1988 they released their first single "Any Love", followed in 1991 by their first album, Blue Lines, featuring the hit singles "Unfinished Sympathy" (with Shara Nelson) and "Safe From Harm". The album, which was produced by Cameron McVey, was well-received both critically and commercially. Blue Lines subsequently became one of the most influential British records of the 1990s, ushering in a new genre of music sometimes referred to as the 'Bristol sound', but more often labeled trip-hop, a label Massive Attack have said they dislike.Fact: date=February 2007 Despite the use of breakbeats, samples, and rap courtesy of Tricky, "Blue Lines" is distinct stylistically from American hip-hop. The music is more complex, layered, and atmospheric, earning the designation of trip-hop, with its unique British tone and aesthetic The group were prominent in the 1980s Bristol club scene, and are considered pioneers of trip-hop.
1990s
During the first Gulf War the band temporarily changed their name to Massive after pressure from their label, to avoid implying support of the attack on Iraq. In 1994, Massive Attack released their follow-up album, Protection, an album that featured two string instrumentals arranged by Craig Armstrong. The band was also joined by producer Chris Rapps who helped give a deeper, more lush sound than the first album.This marked Tricky's last collaboration with Massive Attack, as he chose to concentrate wholly on his solo career. Tricky used lyrics from other songs (chronologically before and after the album's release) at some points during the recording. Several of the lyrics from "Karmacoma" shared between Tricky and 3D were later sung by Martina Topley-Bird on Tricky's single "Overcome". On "Eurochild", Tricky borrowed lyrics from "Blank Expression" by The Specials. Two songs ("Protection" and "Better Things") feature Everything But The Girl vocalist Tracey Thorn, whom the band collaborated with on a remake of The Marvelettes' hit "The Hunter Gets Captured by the Game" for the Batman Forever soundtrack. In 1996, the band won a BRIT Award for "best dance act". One year later, the group contributed to the movie soundtrack of The Jackal, recording "Superpredators (Metal Postcard)", a number containing a sample of Siouxsie and the Banshees.
























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