King Kong is the name of a fictional giant gorilla from the fictional Skull Island, who has appeared in several works since 1933. These include the groundbreaking 1933 film, 1962's King Kong vs. Godzilla, the film remakes of 1976, the 1986 sequel King Kong Lives, and 2005, and numerous sequels. His role in the different narratives varies from source to source, ranging from rampaging monster to tragic antihero. The rights to the character are currently held by Universal Studios, with limited rights held by the estate of Merian C. Cooper, and perhaps certain rights in the public domain (see below).

Overview

In the original film, the character's name is Kong -- a name given to him by the inhabitants of "Skull Island" in the Indian Ocean, where Kong lived along with other over-sized animals such as a plesiosaur, pterosaurs, and dinosaurs ("Kong" is actually the Danish and Norwegian word for "King", the cognate of the English word; there is no clear evidence on whether or not this was known to the filmmakers or influenced them). "King" is an appellation added by an American film crew led by Carl Denham, who captures Kong and takes him to New York City to be exhibited as the "Eighth Wonder of the World". Kong escapes and climbs the Empire State Building (the World Trade Center in the 1976 remake) where he is shot and killed by aircraft. Nevertheless, as Carl comments, "it was beauty killed the beast", for he climbed the building in the first place only in an attempt to protect Ann Darrow, an actress originally offered up to Kong as a sacrifice. (In the 1976 remake the equivalent character is named Dwan.)

A mockumentary about Skull Island on the DVD for the 2005 remake (but originally seen on the Sci-Fi Channel at the time of its theatrical release) gives Kong's scientific name as Megaprimatus kong, and states that his species may have evolved from Gigantopithecus.

The King Kong character was conceived and created by US filmmaker Merian C. Cooper.

Filmography

• King Kong (1933). The original, classic film, is remembered for its pioneering special effects using stop motion models, animatronics (the term is applied in retrospect) and evocative story.
• Son of Kong (1933). A sequel released the same year, it concerns a return expedition to Skull Island that discovers Kong's son. The critics' response to the film was generally mixed, but it was successful.
• King Kong vs. Godzilla (1962). A film produced by Toho Studios in Japan, it brought the titular characters to life (the first time for either character to be in a film in color) via the process of suitmation. The Toho version of Kong is at least five times the size of the one in the original film. This is more than likely because of a significant difference in size between the 1933 King Kong and Godzilla (and, for that matter, all of the company's giant monsters), with Kong automatically rescaled to fit Toho's existing miniature sets.
• King Kong Escapes (1967). Another Toho film (co-produced with Rankin/Bass) in which Kong faces both a mechanical double, dubbed Mechani-Kong, and a giant theropod dinosaur known as Gorosaurus (who would appear in Toho's Destroy All Monsters the next year). This movie was loosely based on the contemporaneous cartoon television program, as indicated by the use of its recurring villain, Dr. Who/Dr. Huu, in the same capacity, the Mechani-Kong as an enemy, Mondo Island as Kong's home and a female character named Susan.
• King Kong (1976). An updated remake by film producer Dino De Laurentiis, released by Paramount Pictures, and director John Guillermin. Jessica Lange, Jeff Bridges and Charles Grodin starred. The film received mixed reviews, but it was a commercial success, and its reputation has improved over the last few years. Co-winner of an Oscar for special effects (shared with Logan's Run).
• King Kong Lives (1986). Released by De Laurentiis Entertainment Group (DEG). Starring Linda Hamilton, a sequel by the same producer and director as the 1976 film which involves Kong surviving his fall from the sky and requiring a coronary operation. It includes a female member of Kong's species, who, after supplying a blood transfusion that enables the life-saving surgery, escapes and mates with Kong, becoming pregnant with his offspring. Trashed by critics, this was a box-office failure.