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Throughout history, various religious cultures have been inspired or supplemented by concrete images, whether in two dimensions or three. The degree to which images are used or permitted, and their functions — whether they are for instruction or inspiration, treated as sacred objects of veneration or worship, or simply applied as ornament — depend upon the tenets of a given religion in a given place and time.

In Eastern Christianity and other icon-painting Christian traditions, the icon is generally a flat panel painting depicting a holy being or object such as Jesus, Mary, saints, angels, or the cross. Icons may also be cast in metal, carved in stone, embroidered on cloth, done in mosaic or fresco work, printed on paper or metal, etc. Creating free-standing, three-dimensional sculptures of holy figures was resisted by Christians for many centuries, out of the belief that daimones inhabited pagan sculptures, and also to make a clear distinction between Christian and pagan art. To this day, in obedience to the commandment not to make "graven images", Orthodox icons may never be more than three-quarter bas relief.

Icons in Christianity

Christianity originated as a movement within Judaism as a religion that was not tolerant concerning the figurative religious art. There is, however, evidence of the use of painted icons or of similar religious images by Christians in the New Testament or early apocrypha. Dr. Steven Bingham writes, "The first thing to note is that there is a total silence about Christian and non-idolatrous images. It is important to note that the silence is in the New Testament texts, and this silence should not be interpreted as describing all the activities of the Apostles or 1st century Christians. The Gospel of John states that 'Jesus did many other signs in the presence of the disciples, which are not written in this book...' (Jn 20.30). We could easily add that the Apostles also did and said many things not recorded in the New Testament. It is obvious, therefore, that we do not have a complete account of the activities and sayings of the Apostles. So, if we want to find out if the first Christians made or ordered any kind of figurative art, the New Testament is of no use whatsoever. The silence is a fact, but the reason given for the silence varies from exegete to exegete depending on his assumptions." In other words, relying only upon the New Testament as evidence of no painted icons amounts to an argument from silence. In addition, it should also be noted that Christian symbolic art and iconography had already developed extensively before the New Testament Canon was finalized in the fourth century.