

The word gaucho could be described as a loose equivalent to the North American "Cowboy". Like the North American word cowboy, Venezuelan or Colombian llanero, or Chilean huaso, or the Mexican vaquero, the term often connotes the 19th century more than the present day; then gauchos made up the majority of the rural population, herding cows and practicing hunting as their main economic activities.
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The word gaucho could be described as a loose equivalent to the North American "Cowboy". Like the North American word cowboy, Venezuelan or Colombian llanero, or Chilean huaso, or the Mexican vaquero, the term often connotes the 19th century more than the present day; then gauchos made up the majority of the rural population, herding cows and practicing hunting as their main economic activities.
There are several conflicting hypotheses concerning the origin of the term. It may derive from the Quechua huachu (Indian, from the Indies). The first recorded uses of the term date from around the time of Argentine independence in 1816.
History


Gauchos were generally nomadic and lived on the pampas, the plain that extends north from Patagonia, bounded on the west by the Andes and extending as far north as the Brazilian state of Paraná. Residing outside of the growing urban centres and farming settlements, these skilled riders lived off the land often willingly sharing their food with other travelers. Most gauchos were either criollo (South Americans of Spanish ancestry) or mestizo (of mixed Spanish and Native American blood), but the term applies equally to people of other European, African, or mixed ancestry.
Some gauchos were recorded as being in the Falkland Islands/Islas Malvinas 1, and have left a few Spanish words in the local dialect e.g. camp from campo.
The gaucho plays an important symbolic role in the nationalist feelings of this region, especially that of Argentina and Uruguay. The epic poem Martín Fierro by José Hernández used the gaucho as a symbol against corruption and of Argentine national tradition, pitted against Europeanising tendencies. Martín Fierro, the hero of the poem, is drafted into the Argentine military for a border war, deserts, and becomes an outlaw and fugitive. The image of the free gaucho is often contrasted to the slaves who worked the northern Brazilian lands. Further literary descriptions are found in Ricardo Güiraldes' Don Segundo Sombra.

Also like the cowboy, the gauchos were and still are proud and great horseriders. Typically, a gaucho's Horse constituted most of what he owned in the world. During the wars of the 19th century in the Southern Cone, the cavalries on all sides were composed almost entirely of gauchos. In Argentina, gaucho armies such as that of Martín Miguel de Güemes, slowed Spanish advances. Furthermore, many caudillos relied on gaucho armies to control the Argentine provinces.

























