History of Western Clowns

Clowning has developed from a broad tradition and it is difficult to say that it has developed in as a singular tradition or a few different ones. Examples of historical clown types have been the pantomimus in ancient Greece, the Lazzi of Commedia dell'Arte, Bouffons, Court Jesters, the French Mime tradition. On top of this there are many non-European clowning traditions (including clown-like figures in Japanese Kabuki theatre) to consider which may or may not have influenced what we now think of when we think of a clown.

Clown types

Whiteface

It is important to note that a whiteface character does not always wear the classic whiteface makeup.Fact: date=March 2009 Additionally, a character can wear traditional whiteface makeup and be an auguste.

Classic appearance

Traditionally, the whiteface clown uses "clown white" makeup to cover his or her entire face and neck with none of the underlying flesh color showing. In the European whiteface makeup, the ears are painted red. Features, in red and black, are delicate. He or she is traditionally costumed far more extravagantly than the other two clown types, sometimes wearing the ruffled collar and pointed hat which typify the stereotypical "clown suit".

Character

The whiteface character-type is often serious, all-knowing (even if not particularly smart), bossy and cocky. He is the ultimate authority figure. He serves the role of "straight-man" and sets up situations that can be turned funny.

Some circus examples include Pipo Sossman, François Fratellini (the Fratellini family), Felix Adler, Paul Jung, Harry Dann, Chuck Burnes, Albert White, Ernie Burch, Bobby Kaye, Jack and Jackie LeClaire, Joe and Chester Sherman, Keith Crary, Charlie Bell, Tim Tegge, Kenny Dodd, Frankie Saluto, Tammy Parish, David Konyot (Circus Barum and The Toni Alexis trio), Jay Stewart and Prince Paul Albert.

Character

The auguste character-type is often an anarchist, a joker, or a fool. He is clever and has much lower status than the whiteface. Classically the whiteface character instructs the auguste character to perform his bidding. The auguste has a hard time performing the task given which leads to funny situations. Sometimes the auguste plays the role of an anarchist and purposefully has trouble following the whiteface's directions. Sometimes the auguste is confused or is foolish and is screwing up less deliberately.

The contra-auguste

The contra-auguste plays the role of the mediator between the whiteface character and the auguste character. He has a lower status than the whiteface but a higher status than the auguste. He aspires to be more like the whiteface and often mimics everything the whiteface does to try to gain approval. If there is a contra-auguste character, he often is instructed by the whiteface to correct the auguste when he is doing something wrong.