The tradition, as it is practiced today, involves professional toreros (toureiros in Portuguese; also referred to as toreadors in English), who execute various formal moves with the intent, during various phases of the fight, of distracting, angering, or causing injury to the bull itself. Such maneuvers are performed at close range, and can result in injury or even death of the performer. The bullfight usually concludes with the death of the bull by a sword thrust. In Portugal the finale consists of a tradition called the pega, where men (forcados) try to grab and hold the bull by its horns when it runs at them. Forcados are dressed in a traditional costume of damask or velvet, with long knit hats as worn by the campinos (bull headers) from Ribatejo.

Bullfighting generates heated controversy in many areas of the world, including Mexico, Ecuador, Spain, and Portugal. Supporters of bullfighting argue that it is a culturally important tradition, while animal rights groups argue that it is a blood sport because of the suffering of the bull and horses during the bullfight.

There are many historic fighting venues in the Iberian Peninsula and Latin America. The largest venue of its kind is the Plaza de toros México in central Mexico City which seats over 40,000 people.

History

see also: Bull (mythology)

Bullfighting is often linked to Rome, where many human-versus-animal events were held. There are also theories that it was introduced into Hispania by the Emperor Claudius when he instituted a short-lived ban on gladiatorial games, as a substitute for those combats. The latter theory was supported by Robert Graves. (Picadors are the remnants of the javelin, but their role in the contest is now a relatively minor one limited to "preparing" the bull for the matador.) Bullfighting spread from Spain to its Central and South American colonies, and in the 19th century to France, where it developed into a distinctive form in its own right.

As bullfighting developed, men on foot started using capes to aid the horsemen in positioning the bulls. This type of fighting drew more attention from the crowds. Thus the modern corrida, or fight, began to take form, as riding noblemen were substituted by commoners on foot. This new style prompted the construction of dedicated bullrings, initially square, like the Plaza de Armas, and later round, to discourage the cornering of the action. The modern style of Spanish bullfighting is credited to Juan Belmonte, generally considered the greatest matador of all time. Belmonte introduced a daring and revolutionary style, in which he stayed within a few inches of the bull throughout the fight. Although extremely dangerous (Belmonte himself was gored on many occasions), his style is still seen by most matadors as the ideal to be emulated. Today, bullfighting remains similar to the way it was in 1726, when Francisco Romero, from Ronda, Spain, used the estoque, a sword, to kill the bull, and the muleta, a small cape used in the last stage of the fight.