Beauty and the Beast (French: La Belle et la Bête) is a traditional fairy tale (type 425C -- search for a lost husband -- in the Aarne-Thompson classification). The first published version of the fairy tale was a rendition by Madame Gabrielle-Suzanne Barbot de Villeneuve, published in La jeune américaine, et les contes marins in 1740. The best-known written version was an abridgement of Mme Villeneuve's work publishd in 1756 by Mme Jeanne-Marie Leprince de Beaumont, in Magasin des enfants, ou dialogues entre une sage gouvernante et plusieurs de ses élèves; an English translation appeared in 1757.
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Beauty and the Beast (French: La Belle et la Bête) is a traditional fairy tale (type 425C -- search for a lost husband -- in the Aarne-Thompson classification). The first published version of the fairy tale was a rendition by Madame Gabrielle-Suzanne Barbot de Villeneuve, published in La jeune américaine, et les contes marins in 1740. The best-known written version was an abridgement of Mme Villeneuve's work publishd in 1756 by Mme Jeanne-Marie Leprince de Beaumont, in Magasin des enfants, ou dialogues entre une sage gouvernante et plusieurs de ses élèves; an English translation appeared in 1757.
Variants of the tale are known across Europe. In France, for example, Zémire et Azor is an operatic version of the story of Beauty and the Beast written by Marmontel and composed by Grétry in 1771. It had enormous success well into the 19th century. It is based on Mme Leprince de Beaumont's version of the tale.
Amour pour amour, by Nivelle de la Chaussée, is a 1742 play based on Villeneuve's version.
Plot summary

During his return, he becomes lost in a forest. Seeking shelter, he enters a castle. He finds inside tables laden with food and drink, which have apparently been left for him by the castle's owner. The merchant accepts this gift and is about to leave when he sees a rose garden and recalls that Belle had desired a rose. Upon picking the most lovely rose he finds, the merchant is confronted by a hideous 'Beast', which tells him that for taking his (the Beast's) most precious possession after accepting his hospitality, the merchant must stay his prisoner forever. The merchant begs to be set free, arguing that he had only picked the rose as a gift for his youngest daughter. The Beast agrees to let him go only if the merchant will send his daughter to live in the castle in his place.
The merchant is upset, but accepts this condition. He tries, upon arriving home, to hide the secret from Belle; but she pries it from him and willingly goes to the Beast's castle. The Beast receives her graciously and treats her as his guest. He gives her lavish clothing and food and carries on lengthy conversations with her.
Eventually, Belle becomes homesick and begs the Beast to allow her to go to see her family. He allows it, if she will return exactly a week later. Belle agrees to this and sets off for home. Her older sisters are surprised to find her well fed and dressed in finery. They grow jealous and, hearing that she must return to the Beast on a certain day, beg her to stay another day, even putting onion in their eyes to make it appear as though they are weeping. Belle's heart is moved and she agrees to stay.
When Belle returns to the Beast's castle late, she finds him dying in his rose garden of a broken heart. Belle weeps over him, saying that she loves him; when her tears strike him, he is transformed into a handsome prince. The Prince informs Belle that long ago a fairy turned him into a hideous beast after he refused to let her in from the rain. Only by finding true love, despite his ugliness, can he break the curse.



























