Early life

Contemporary views

Also scandalous was Sand's smoking tobacco in public; neither peerage nor gentry had yet sanctioned the free indulgence of women in such a habit, especially in public (though Franz Liszt's paramour Marie D'Agoult affected this as well, smoking large cigars). These and other behaviors were exceptional for a woman of the early and mid-19th century, when social codesespecially in the upper classeswere of the utmost importance.

As a consequence of many unorthodox aspects of her lifestyle, Sand was obliged to relinquish some of the privileges appertaining to a baroness — though, interestingly, the mores of the period did permit upper-class wives to live physically separated from their husbands, without losing face, provided the estranged couple exhibited no blatant irregularity to the outside world.

Poet Charles Baudelaire was a contemporary critic of George Sand: "She is stupid, heavy and garrulous. Her ideas on morals have the same depth of judgment and delicacy of feeling as those of janitresses and kept women.... The fact that there are men who could become enamoured of this slut is indeed a proof of the abasement of the men of this generation."

Relationships

Sand conducted affairs of varying duration with Jules Sandeau (1831), Prosper Mérimée, Alfred de Musset (summer 1833 – March 1834), Louis-Chrystosome Michel, Charles Didier, Pierre-François Bocage, Félicien Mallefille and Frédéric Chopin (1837–47).

Later in life, she corresponded with Gustave Flaubert. Despite their obvious differences in temperament and aesthetic preference, they eventually became close friends.

She was engaged in an intimate friendship with actress Marie Dorval, which led to widespread but unconfirmed rumors of a lesbian affair.

In Majorca one can still visit the (then abandoned) Carthusian monastery of Valldemossa, where she spent the winter of 183839 with Chopin and her children. This trip to Majorca was described by her in Un Hiver à Majorque (A Winter in Majorca), published in 1855.